Ahmad Thomson’s masterpiece, originally titled Dajjal: The King Who Has No Clothes, serves as a profound metaphysical autopsy of the modern world. Written by a British barrister and scholar, it bridges the gap between ancient Islamic Eschatology an
Ahmad Thomson’s masterpiece, originally titled Dajjal: The King Who Has No Clothes, serves as a profound metaphysical autopsy of the modern world. Written by a British barrister and scholar, it bridges the gap between ancient Islamic Eschatology an
